Framing Workshop
Fine Art Trade Guild Member



80 Walcot Street, Bath, BA1 5BD - Telephone: 01225 482748
A member of the Fine Art Trade Guild




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Glass is thoroughly checked for flaws - click to enlarge
Non Reflective Glass Demonstration.  Left: Standard Non Reflective Glass, Centre: Clear Non Reflective Glass, Right: Plain Glass. - click to enlarge
Glass & Mirror

You will be astonished to learn that there are over fifteen different glass, mirror and perspex options available to you when glazing frames. Mirror aside, the choice of glass divides into products that offer protection from harmful ultra violet rays (artificial and natural) and those that offer clear viewing (freedom from distracting reflections).

Conservation
Much of the medium used in art is fugitive (the tendency to disappear) depending upon the exposure to light, humidity and temperature changes. Colour fading is by far the most common damage that occurs and it cannot be repaired. Stains and foxing can be bleached out and acid levels in paper reduced but no one can put back lost colour.
Light + Art = Fading
By using glazing with a U.V filter it is possible to block out over 95% of U.V radiation, thus preserving family heirlooms and ensuring investments retain their value.

Reflection
What about those irritating reflections? If you know you are likely to hang a glazed picture opposite a strong light source (large windows/patio doors) then it is worth considering one of the anti reflection glazing products available. You will probably be familiar with the acid-etched, diffused or non-reflective glass. Whilst it certainly has its place, it does have distinct disadvantages on some art. The solution is to use an optically coated Schott Mirogard - quite simply the clearest picture glass available. Call into our workshop for a demonstration of the options available - you'll be amazed at the results.


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